Ain’t nothin’ to it but to do it : the process of constructing an identity as a marginalized subject in Maya Angelou’s I know why the caged bird sings.
dc.contributor.author | Donoso, Teresa | |
dc.date.accessioned | 2017-07-18T18:57:15Z | |
dc.date.available | 2017-07-18T18:57:15Z | |
dc.date.issued | 2013 | |
dc.format.extent | 22 páginas | |
dc.identifier.uri | https://repositorio.uc.cl/handle/11534/21256 | |
dc.language.iso | en | |
dc.relation.isformatof | White Rabbit: English Studies in Latin America, No. 6 (July 2013) | |
dc.rights | acceso restringido | |
dc.subject.ddc | 700 | |
dc.subject.dewey | Arte | es_ES |
dc.subject.other | Angelou, Maya – Crítica e interpretación. | es_ES |
dc.subject.other | Angelou, Maya - I know why the caged bird sings. | es_ES |
dc.title | Ain’t nothin’ to it but to do it : the process of constructing an identity as a marginalized subject in Maya Angelou’s I know why the caged bird sings. | es_ES |
dc.type | artículo |
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