Cultura de la cancelación y capital simbólico: aportes teóricos desde la teoría del campo artístico de Pierre Bourdieu

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dc.article.numbere1539
dc.catalogadorcarga
dc.contributor.authorZavala Aranguiz, Ignacio
dc.date.accessioned2025-08-30T11:00:56Z
dc.date.available2025-08-30T11:00:56Z
dc.date.issued2025
dc.description.abstractThis study provides a theoretical approach to the phenomenon of cancel culture within the context of art and artists, using Pierre Bourdieu's structural-constructivist conceptual framework regarding symbolic capital, the rules of the artistic field, and some relevant agents within it. It examines how cancellation affects artists' perception of symbolic capital, whose legitimacy and recognition depend heavily on interactions with other agents in the field, and how the relationship between the public and creators can be influenced and determined by this practice. Firstly, a brief characterization of cancel culture is sought, both as a criterion for personal parameter verification and as a tool for action for marginalized groups, followed by the identification of some concepts from Bourdieu's theoretical section, such as habitus, symbolic capital, artistic field, and rules of art, in addition to the characterization the author provides of artists and creators. Furthermore, it explores how cancellation can redefine the rules and agency boundaries of participants in the artistic field, especially regarding certain moral expectations imposed on artists by those who engage in cancellation, within a field that assumes operating with relative autonomy and differing expectations from the public. Thus, the tension between moral presuppositions- by the public identifying with cancellation- attributed to major holders of symbolic capital- artists and cultural producers- and the autonomous logic governing the art field based on ethical neutrality and internal operational criteria is highlighted.
dc.description.funderFondecyt
dc.fechaingreso.objetodigital2025-09-11
dc.format.extent18 páginas
dc.fuente.origenWOS
dc.identifier.doi10.17561/rtc.27.8911
dc.identifier.eissn2090-4495
dc.identifier.issn2340-9096
dc.identifier.scopusidSCOPUS_ID:105000025209
dc.identifier.urihttps://doi.org/10.17561/rtc.27.8911
dc.identifier.urihttps://repositorio.uc.cl/handle/11534/105419
dc.identifier.wosidWOS:001447646700010
dc.information.autorucInstituto de Sociología; Zavala Aranguiz Ignacio; S/I; 1192602
dc.issue.numero27
dc.language.isoes
dc.nota.accesocontenido completo
dc.pagina.final272
dc.pagina.inicio255
dc.publisherBloomsbury Publishing Plc.
dc.relation.ispartof21st Annual Conference of the International-Society-for-Environmental-Epidemiology, AUG 25-29, 2009, Dublin, IRELAND
dc.revistaTERCIO CRECIENTE
dc.rightsacceso abierto
dc.subjectCancel culture
dc.subjectmorality
dc.subjectsymbolic capital
dc.subjectartistic field
dc.subjectrules of art
dc.subjectartists
dc.subject.ddc610
dc.subject.deweyMedicina y saludes_ES
dc.subject.ods03 Good health and well-being
dc.subject.odspa03 Salud y bienestar
dc.titleCultura de la cancelación y capital simbólico: aportes teóricos desde la teoría del campo artístico de Pierre Bourdieu
dc.title.alternativeCancel Culture and Symbolic Capital: Theorical Contributions from Pierre Bourdieu's Theory of the Artistic Field
dc.typeartículo
sipa.codpersvinculados1192602
sipa.indexWOS
sipa.trazabilidadWOS-SCOPUS;2025-08-30
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