Quimantú: When a political emergency and rapid social transformation shape an editorial project

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dc.article.number134
dc.contributor.authorÁlvarez Caselli, Pedro
dc.date.accessioned2024-04-15T08:00:17Z
dc.date.available2024-04-15T08:00:17Z
dc.date.issued2023
dc.description.abstractThe diverse histories of national and transnational design have included research on institutions, collectives, and entities that developed projects concerned with the practice or teaching of design, with longer or shorter permanence, towards a historiographic construction built on their legacy. In this context, we examine the transience and exceptional nature of Empresa Editora Nacional Quimantú, a state publishing project carried out in Chile between 1971 and 1973 by a socialist and democratically elected government that ended abruptly due to a military coup. From a qualitative and quantitative methodological perspective, as well as archival work, we analyse the intersections between design and the editorial guidelines of its catalogue (books and magazines), in addition to the trajectory of the largest publishing enterprise formed in the country, during a brief operating period of two and half years. This instance opened a space for collaboration and experimentation between directors, designers, and workers within management structures. The presence of a large-scale social publishing model is studied for its unprecedented print runs in the national readership market, where the 'design' factor-in terms of form, content, and strategy-had a fundamental role, and the volume of printed books exceeded the country's total population. Interrogating the archives, collections, and titles designed under Quimantú-A project that has acquired a 'publishing mythology' character for its fleetingness and high production levels-opens the possibility of looking into a heritage of editorial products designed with the urgency of taking culture to popular sectors, and the immediacy of a political process of radical changes that appealed for the mass production of images, texts, and discourses. Finally, the problem of production time becomes relevant as content production teams, collections' designs, and the dissemination and sales spaces introduced some ideas and innovations into the Chilean publishing milieu.
dc.description.funderPontificia Universidad Catolica de Chile
dc.format.extent32 páginas
dc.fuente.origenScopus
dc.identifier.doi10.17811/rm.13.16.2023.184-201
dc.identifier.eissn1538-4357
dc.identifier.isbn978-1-119-52131-0
dc.identifier.issn2255-2057
dc.identifier.pubmedidMEDLINE:34444039
dc.identifier.scopusidSCOPUS_ID:85170035306
dc.identifier.urihttps://doi.org/10.17811/rm.13.16.2023.184-201
dc.identifier.urihttps://repositorio.uc.cl/handle/11534/85068
dc.identifier.wosidWOS:001047913900001
dc.information.autorucEscuela de Arquitectura; Álvarez Caselli, Pedro; S/I; 88404
dc.issue.numero16
dc.language.isoen
dc.nota.accesoContenido completo
dc.pagina.final201
dc.pagina.inicio184
dc.publisherWiley
dc.relation.ispartofCuadernos de Geografia: Revista Colombiana de Geografia
dc.revistaRes Mobilis
dc.rightsacceso abierto
dc.subjectEditorial catalogue
dc.subjectLarge-scale social design
dc.subjectPolitical transience
dc.subjectPublishing model
dc.subject.ddc520
dc.subject.deweyAstronomíaes_ES
dc.titleQuimantú: When a political emergency and rapid social transformation shape an editorial project
dc.typeartículo
dc.volumen13
sipa.codpersvinculados88404
sipa.indexScopus
sipa.trazabilidadCarga WOS-SCOPUS;15-04-2024
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