A Woman Artist in the Neoliberal Chilean Jungle

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dc.catalogadorpau
dc.contributor.authorContreras Lorenzini, María José
dc.contributor.editorDiamond, Elin
dc.contributor.editorVarney, Denise
dc.contributor.editorAmich, Candice
dc.date.accessioned2023-05-19T20:45:40Z
dc.date.available2023-05-19T20:45:40Z
dc.date.issued2017
dc.description.abstractOne of the perdurable effects of Pinochet’s dictatorship in Chile is that adherence to Friedman’s and von Hayek’s neoliberal ideas of freedom, based on free markets and the withdrawal of state public-sector services, has been upheld by postdictatorship governments that have maintained and even radicalized neoliberalism by, in part, denying the atrocities committed by the Pinochet regime. As a theatre director and performer, María José Contreras Lorenzini challenges the government’s rhetoric of reconciliation and consequent amnesia by exposing forgotten documents in the historical record: testimonies, autobiographical stories, familial archives. Her performance Habeas Corpus, at the Palacio de Tribunales de Santiago, transforms an emblematic juridical enclave into an intersubjective, intercorporeal space, allowing spectators, through the circulation of affective memory, to recover political awareness and agency
dc.fechaingreso.objetodigital2023-07-05
dc.format.extent12 páginas
dc.fuente.origenORCID
dc.identifier.doi10.1057/978-1-137-59810-3_19
dc.identifier.urihttps://repositorio.uc.cl/handle/11534/69533
dc.information.autorucEscuela de Teatro; Contreras Lorenzini, María José; S/I; 2744
dc.language.isoen
dc.nota.accesoContenido parcial
dc.pagina.final251
dc.pagina.inicio239
dc.publisherPalgrave Macmillan, London
dc.relation.ispartofPerformance, Feminism and Affect in Neoliberal Times. Contemporary Performance InterActions, Palgrave Macmillan, London
dc.rightsacceso restringido
dc.subject.ddc792.022
dc.subject.deweyRecreaciónes_ES
dc.titleA Woman Artist in the Neoliberal Chilean Junglees_ES
dc.typecapítulo de libro
sipa.codpersvinculados2744
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