Árboles torcidos
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Date
2024
Journal Title
Journal ISSN
Volume Title
Publisher
Fundación Mar Adentro
Abstract
¿Cómo sobrevivir a la homogeneización y simplificación de los paisajes? Esta publicación es un intento por repensar la experiencia de estar en el bosque desde una mirada crítica mediante unaexploración de estéticas de co-habitación que promueven el florecimiento de diversidades naturales y culturales para pensar en/desde/y a través de un bosque, otros posibles futuros. Al abrir estas páginas, encontrarás una polifonía de voces incluyendo Maya Errázuriz, Seba Calfuqueo, José Tomás Ibarra, María Lara Millapan y Agencia de Borde (María/Rosario Montero, Paula Salasy Sebastián Melo), quienes de diversas formas compartieron en colectivo experiencias de bosque que luego fueron materializadas a través de muestras expositivas bajo el título Árboles torcidos.Te invitamos a hacer una lectura a través de todos tus sentidos.
How to survive the homogenization and simplification of landscapes? This publication is an attempt to rethink the experience of being in the forest from a critical perspective through an exploration of co-habitation aesthetics that promote the flourishing of natural and cultural diversities to think about/from/ and through a forest, other possible futures. When opening these pages, seek to slowly drift through the polyphony of voices created by the writings of Maya Errázuriz, Seba Calfuqueo, José Tomás Ibarra, María Lara Millapan and Agencia de Borde (María/Rosario Montero, Paula Salas and Sebastián Melo), who in various ways collectively shared forest experiences that became materializedthrough exhibitions under the title Árboles torcidos (Twisted Trees). We encourage you to use all your senses when reading through these pages
How to survive the homogenization and simplification of landscapes? This publication is an attempt to rethink the experience of being in the forest from a critical perspective through an exploration of co-habitation aesthetics that promote the flourishing of natural and cultural diversities to think about/from/ and through a forest, other possible futures. When opening these pages, seek to slowly drift through the polyphony of voices created by the writings of Maya Errázuriz, Seba Calfuqueo, José Tomás Ibarra, María Lara Millapan and Agencia de Borde (María/Rosario Montero, Paula Salas and Sebastián Melo), who in various ways collectively shared forest experiences that became materializedthrough exhibitions under the title Árboles torcidos (Twisted Trees). We encourage you to use all your senses when reading through these pages
Description
Keywords
Arte y ecología, Investigación artística, Investigación interdisciplinaria