Browsing by Author "Carneiro Araujo Sarissa"

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    APOLLO AND DAPHNE: REINVENTIONS OF A MYTH IN EPIC POEMS OF EXPANSION AND CONQUESTAPOLO Y DAFNE: REINVENCIONES DE UN MITO EN POEMAS ÉPICOS DE LA EXPANSIÓN Y CONQUISTA
    (Taylor and Francis, 2022) Carneiro Araujo Sarissa
    © 2022 Universidad de Chile, Facultad de Filosofia y Humanidades, Departamento de Literatura. All rights reserved.This article analyzes the presence of the mythological fable of Apollo and Daphne in Os Lusíadas (1572) by Luis de Camões, Arauco domado (1596) by Pedro de Oña and Armas antárticas (ca. 1609) by Juan de Miramontes Zuázola. Along with highlighting the use of myth as a mnemonic image capable of bringing together very diverse meanings forged mainly in the imitations of Ovid’s Metamorphoses, attention is drawn to the unique facet that this fable acquired in the expansion and conquest poems, one characterized by the intertwining of its erotic, poetic, and political dimensions.
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    Fugitive nymphs: The erotic chase in the Epic Poetry of Iberian ExpansionNinfas fugitivas: la persecución erótica en poemas épicos de la expansión ibérica
    (CAMBRIDGE UNIV PRESS, 2021) Carneiro Araujo Sarissa
    © 2021 Instituto de Estudios Auriseculares (IDEA). All rights reserved.The image of the fugitive nymph, drawn from exemplary persecutions such as that of Apollo and Daphne and various topics of retia amoris, gained a particular meaning in the epic poems of the Portuguese overseas enterprise and the Hispanic domination of America. In Os Lusíadas (1572), by Luis de Camões, and Arauco domado (1596), by Pedro de Oña, this image reveals important links between eroticism and expansion.
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    La faz difunta: pasiones luctuosas en la epica de Arauco
    (2022) Carneiro Araujo Sarissa
    © 2021 Universidad Catolica Silva Henriquez. All rights reserved.In this paper, I analyze the play Galvarino, directed by Paula González Seguel. Frequently described by critics as a piece of autobiographical theatre, Galvarino stages the results of a research project lead by González. Through this research, González tries to recover the figure of her missing uncle, Galvarino Ancamil Mercado (a Mapuche teenager who was exiled in the Soviet Union after de military coup and then murdered by skinheads in Moscow's suburbs). The statement of this paper says that González's work adopts the shape of the work of kinship: A series of domestic and invisible labors that maintain family relations even in circumstances of death and forced migration. According to this statement, the main goal of this paper is to discover which theatre skills González has to operate to develop her work of restoration in contemporary Chile-a cultural field haunted by racism and xenophobia. In the end, I conclude that González found in the voice of his missing uncle a secret language to start a revolt against oblivion.
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    License to pretend: The limits of poetic fiction in the Viceroyalty of Peru. The trial against Pedro de Oña's Arauco domado (Lima, 1596)LICENCIA PARA FINGIR: LOS LÍMITES DE LA FICCIÓN POÉTICA EN EL VIRREINATO DEL PERÚ. EL PROCESO CONTRA ARAUCO DOMADO (LIMA, 1596) DE PEDRO DE OÑA
    (Taylor and Francis, 2021) Carneiro Araujo Sarissa
    © 2021, Latinoamericana Editores. All rights reserved.In this article, I address the trial against Pedro de Oña’s epic poem Arauco domado (Lima, 1596). From the analysis of the a posteriori censorship of the poem, carried out by Pedro Muñiz, Dean of the Cathedral of Lima, I reflect on the limitations and demands that weighed on poetic writing in the Viceroyalty of Peru by the end of the 16th century.
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    Pasiones americanas: entramados afectivos en la literatura colonial
    (Taylor and Francis, 2022) Carneiro Araujo Sarissa; Anon, Valeria
    The Chilean police keep firing pellets and tear gas bombs in the streets, blinding and injuring people by the hundreds. The people keep demonstrating. Two months before the protests of October 2019, a problematic documentary play, Animales invisibles, while distorting the genre, prophesied what was to come precisely in the way it departed from the documentary.
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    WOMEN AND WAR IN THE COLONIAL SPANISH AMERICAN EPIC Gendered Boundaries and Erotic Conquest
    (ROUTLEDGE, 2022) Carneiro Araujo Sarissa
    © 2022 WSEAS TRANSACTIONS on INFORMATION SCIENCE and APPLICATIONS. All rights reserved.From an iconic-textual perspective, I propose a reading of the «episodio de don Melón de la Huerta y de doña Endrina» from Libro de buen amor, in light of the concept of trompe l'oeil. In doing so, two fundamental aspects of medieval literature and the work of the Arcipreste de Hita will be addressed: the imagocentric configuration and the use of ambiguity as the result of a constructive will. I demonstrate how the deception associated with the love experience explains the identity mutation of the poetic self, which, in a game of confused tension between materiality and referentiality, will assume a new profile, of plastic nature, to the point of standing as the protagonist of a peculiar still life.