CLOSET EXPERIENCES: A QUEER READING OF TWO PLAYS BY LUIS ALBERTO HEIREMANS
link https://repositorio.uc.cl/handle/11534/76737get_appCloset experiences; a queer reading of two plays by luis alberto heiremans.pdf
account_box Kalawski, Andresaccount_box Party, Danielaccount_box Opazo, Cristian
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Despite its currency, the dramaturgy of Luis Alberto Heiremans (1928-1964) continues to be read through the lens of Christian existentialism and symbolism, two qualities espoused by Chilean university theatres during their first three decades of existence (1941-1973). Critics have overlooked the homoerotic elements present in Heiremans' best-known works, effectively ignoring multiple textual markers that suggest homosexual affections.
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| Autor | Kalawski, Andres Party, Daniel Opazo, Cristian |
| Título | CLOSET EXPERIENCES: A QUEER READING OF TWO PLAYS BY LUIS ALBERTO HEIREMANS |
| Revista | REVISTA CHILENA DE LITERATURA |
| ISSN | 0718-2295 |
| Número de publicación | 104 |
| Página inicio | 627 |
| Página final | 653 |
| Fecha de publicación | 2021 |
| Resumen | Despite its currency, the dramaturgy of Luis Alberto Heiremans (1928-1964) continues to be read through the lens of Christian existentialism and symbolism, two qualities espoused by Chilean university theatres during their first three decades of existence (1941-1973). Critics have overlooked the homoerotic elements present in Heiremans' best-known works, effectively ignoring multiple textual markers that suggest homosexual affections. We propose a queer reading of Moscas sobre d manual (1958) and Arpeggione, the third part of Buenaventura (1962), texts that premiered outside of Chile and that were not included in our programming for decades. Through this lens we explain the ways in which Heiremans' dremtanturgy problematizes the challenge of mentioning affects, then criminalized. in one case through failed literary allusions (Moscas sobre el mcirmol), in the other through the use of musical references (Arpeggione). These works show how the possibilities of queer life were transformed under a state invested in a sanitized version of modernity. This revision opens new aesthetic possibilities and new understandings of Chilean theatre history. |
| Derechos | registro bibliográfico |
| Editorial | UNIV CHILE, FAC FILOS HUMAN EDUC |
| Enlace | |
| Id de publicación en WoS | WOS:000748858600006 |
| Paginación | 27 páginas |
| Palabra clave | Chilean theatre history and criticism Chilean playwrights Luis Alberto Heiremans Queer studies |
| Tema ODS | 05 Gender Equality |
| Tema ODS español | 05 Igualdad de género |
| Tipo de documento | artículo |